| The driver behind the original question, was that I've realised, very recently, that I've been doing something wrong. My draw arm shoulder has not been down and in-line, I've been using it to achieve movement in the last part of the draw.
Now this arose through misinterpretation of pictures and descriptions of the processes of performing the "expansion through the clicker". Looking around the shooting line last night, I can see that it's a common enough mistake. The key to why it's wrong comes back to Marcus' comment about "back tension": bringing your shoulder into the process tends to create tension you don't need, out of the line of the shot.
There's a couple of points here; it highlights the dangers of "booklearning" and self-coaching. Trying to teach yourself something isn't always the most efficient course. Also descriptions of a process are usually made in a way that is sufficient for the describer to understand the process, the problem is when the description isn't sufficent for the reader to understand it. The devil is in the details, as always. |