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| Head movement is seen as a bad thing but several top archers do it. Most of them however , move the head and return it to its original position. That is not the same as leaning forwards over the string and not knowing when to stop. If you know what position your head is in at the point where your references are settled, that position is a good one to use as the start position. If you move, at least you will move back again before the loose. If you have learnt to move your head, it is almost impossible to unlearn . What is easier, is to learn something new, like keeping your chin in a certain position that is easily repeated. If you struggle with the poundage of the bow, that can easily draw attention away from what the head is doing. If drawing is not a struggle, remember to bring the string to your head not the other way round.Practise with a light weight bow can help establish good form which can then be carried over to your normal bow.Once you have managed a few times, practise the still head method as a separate session for several weeks perhaps until the new form is well established. |
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This gives check to 2 points . 1. The tilting of the head to far forward or back. 2. It also can check as to whether the head is turned towards the target equally ![]()
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Knowing when it is happening is half the battle, putting it right when it does is the other half. Why is moving your head so bad?? For that matter, why do so many archers do it? It seems to be a popular action with archers; like raising the bow shoulder. ![]() |
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| I use the little gold coloured button inside my glasses that mounts the nose pad I keep that level with the target.
__________________ I am not a grumpy old man, I am a cynical senior citizen |
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Yes the book's worth reading, but like all expert books needs to be understood & then adapted to your style. As for the head movement, you could try a B.E.S.T. style draw & approach the reference point from below.
__________________ Brain, n: An apparatus with which we think that we think. -Ambrose Bierce |
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| In my opinion it certainly is worth reading, read that, then read it again from start to finish rather than dipping in and out, then read Kisik Lee's "Total Archery" then practice what you've read, and you're all set. |
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| SNAP! ![]()
__________________ Brain, n: An apparatus with which we think that we think. -Ambrose Bierce |
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I must admit that since shooting the compound and checking out the bubble, the string picture with the recurve has become more obvious. I can't say as I've really noticed it before. On a side note, any movements in my head when wearing sunglasses is obvious due to obscured vision if I'm not correctly anchored ![]()
__________________ Purple Mafia ![]() Luck is what you have left over after you give 100% | |||||||||||||||||||||||||||||
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it looks to me like they are stretching the tension from the neck muscles to come to a relaxed and comfortable 'floating' position. Attempting to not make a bigger issue than necessary - I'd say just try relaxing a bit more on the shot and maybe add a couple of dozen gentle but full head twists (both ways)into a daily stretch program, to improve mobilty. Right or wrong my shot set up includes a quick mental 'feel' check to see that my spine is straight and vertical pre and pro draw- this includes the neck even though the neck is twisted toward the target. Standing Tall- Drawing (all the way) to the Jaw might become your buzz phrase! | |||||||||||||||||||||||
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